Live Streaming & Hybrid Broadcast
Hybrid keynotes with IMAG, multi-camera, and redundant encoding — a flawless feed to a remote audience that never sees a glitch.
Rated 5 Stars on Google & Yelp — 500+ Events Produced
Start Here
Free consultation, no commitment
LA-based and producing coast to coast, we’ve mastered every venue type — from outdoor festivals to high-security corporate summits.
We don’t just drop off equipment — we engineer the full experience. Our crew manages design, setup, programming, and teardown so you never lift a finger.
Our LED production has powered experiences for Netflix, Universal, Adidas, Hilton, and more. When top brands need show-stopping visuals, they call us.
No surprise fees. No fine print. Just clear quotes with flexible packages that scale to your event and budget. LED wall rentals typically start at $5,000.
A process built so nothing is left to chance between the booking and the strike.
Tell us the venue, the date, and the scope. We come back fast with a clear, itemized quote — no guesswork, no padding.
We walk the venue or the plans — power, rigging points, sightlines, load-in paths. The spec on paper matches what shows up.
Every wall and rig is tested in our shop before it leaves. We deliver, rig, and program ahead of doors — never against the clock.
A dedicated tech stays on-site for the full run of show — content, redundancy, real-time fixes. We stay through strike.
We’ve put flawless keynotes in front of 10,000+ remote attendees.
Multi-camera capture, IMAG to the room, and a redundant encode to the stream — so the people watching from a laptop get the same show as the people in the seats. Built on backup paths at every stage, because a hybrid event has two audiences and neither one forgives a dropout.
The stream, answered
Direction and redundancy. A broadcast is a directed show: multiple cameras cut live, full-resolution graphics mixed into the program instead of a camera squinting at a screen, lower-thirds, and a dedicated audio mix — so the person on a laptop gets the same production as the person in row five. A webcam feed is what remote attendees quietly close after ten minutes; a directed one is what they stay for.
And because a stream has no second take, everything critical runs twice: backup encoders on separate network paths, bonded connectivity riding alongside the venue’s tested bandwidth, and a tech watching the encode through the whole show. We’ve put flawless keynotes in front of 10,000+ remote attendees — the platform scales, and one path failing never becomes the story of your event.
Multi-camera, live-cut, graphics in the program — remote viewers get production, not surveillance.
Redundant encoders, separate paths, bonded uplink — a single failure stays invisible.
IMAG in the room and the outbound feed stay locked — the stream matches the seats.
On the floor
SpaceProductionsdesigns,builds,andrunsLiveStreaming&BroadcastforeventsacrossLosAngeles—deliveredbyonein-housecrewongearweownandmaintain,withoneproduceraccountablefromload-inthroughstrike.
Capture · Encode · Run
Multiple cameras cut live to big-screen IMAG in the room and to the stream at once — so the in-person audience and the remote audience both get a directed, broadcast-quality show.
Broadcast-grade encoding with backup encoders and bonded connectivity to your platform of choice — redundancy on the path that, if it fails, takes the whole remote event with it.
A director and crew call the show live — switching, graphics, and lower-thirds — while a tech watches the encode and the room, so problems get solved before either audience notices.
The gear on the truck
A directed multi-camera package and a redundant encode path — backup at every stage a failure could take down the stream.
Broadcast and cinema cameras on pedestals, jibs, and PTZ mounts, cut live to IMAG and the stream for a directed, multi-angle show — not a static webcam.
A production switcher where a director cuts cameras, playback, and graphics live, keeping the in-room screens and the outbound feed locked together.
Broadcast-grade encoders with a hot backup, so the single point that would take the whole remote audience down simply can’t.
Bonded cellular and hardline connectivity that aggregates multiple paths into one resilient uplink to your platform, monitored throughout the show.
A live graphics system for lower-thirds, titles, and branded frames, so the stream looks like a produced broadcast instead of a slideshow.
Wired and wireless intercom that keeps the director, camera ops, and stage crew on the same count, so every cut and cue lands clean.
How to spec it
Pricing, explained
Your homework and ours, priced honestly. This is what moves a broadcast quote.
Two cameras make a program; three make a show. Broadcast glass costs more than a webcam for a reason your viewers can see.
A second encoder on a separate path — the line item that exists so nobody ever notices it worked.
Lower-thirds, full-res slides in the program, session records, and per-camera ISOs for the edit.
We rehearse the stream, not just the stage — venue bandwidth tested in advance, platform checked end-to-end.
Director, TD, and shader for the show; the stream gets the same operator discipline as the room.
Tell us the platform, the audience size, and the venue — we’ll quote the whole chain itemized, camera to CDN.
The no-second-take question
The stream drops mid-keynote
Redundant encoders on separate network paths — the audience never knows one failed.
Remote viewers can’t read the slides
The program feed mixes IMAG with full-resolution graphics — not a camera pointed at a screen.
The venue’s internet chokes at showtime
Bandwidth is tested in advance and bonded backup rides on the truck.
The stream sounds like a mic in a big room
The broadcast gets its own dedicated audio mix, separate from the house PA — the recording is usable the morning after.
Portfolio
How we’ve helped brands and event planners put on shows that didn’t miss a cue.
Concert Production
The challenge
A nationally televised dance competition needed a massive LED stage backdrop with rapid content switching for 20+ performances across a two-day event.
The solution
Multi-panel LED configuration spanning 60 feet wide, real-time media-server management, redundant processing, and a dedicated show caller.
The result
Zero technical issues across 40+ hours of live production, featured on a broadcast seen by millions.
Corporate Keynote
The challenge
A Fortune 500 tech company needed a high-resolution LED backdrop for a hybrid live-streamed keynote in a venue with difficult ambient light and tight load-in windows.
The solution
Custom curved 40-foot LED wall at 2.6mm pixel pitch, full content management, redundant processing, and on-site technical direction for the run of show.
The result
Flawless broadcast to 10,000+ virtual attendees and zero technical issues on the floor. The client rebooked for three additional events.
Everything you need to know about putting your show in our hands. Can’t find your answer here?
Yes — we encode to your platform of choice with broadcast-grade encoders and a bonded, backed-up uplink. The platform is rehearsed end-to-end before show day, not discovered on it.
Verified Google reviews from the people who put their show in our hands.
Space Productions LA transformed our company conference event in San Diego. Their stage and lighting, along with stunning LED wall designs, took our event to a whole new level. From the main room to breakout rooms, they handled it all seamlessly. We won’t consider anyone else for our future events.
Space Productions LA delivered a phenomenal experience for our 4,000-person annual summit. From lighting and sound to LED video walls, they turned our vision into a stunning reality. The team’s professionalism, attention to detail, and technical expertise were exceptional — responsive, accommodating, and a pleasure to work with.
Space Productions LA was the driving force behind the success of our fundraiser event. They provided exceptional lighting and LED walls that brought our vision to life. The team’s commitment to excellence was evident throughout the entire process, and we’re eager to work with them again.
Leeor was a pleasure to work with! So professional and was able to bring my vision to life. High-quality work and the staff is meticulous! Would highly recommend Space Productions for any event — thank you for making everything about my event magical.
Space Productions LED wall took our production value to the next level — on schedule, on budget, and a pleasure to work alongside.
Had such an amazing experience with Space Productions! They do all of our family events and never fail to impress — from their experience in lighting design and sound to their high energy. Leeor and the team gave great customer service and always make sure all of our requests are met.
What a magical night and amazing experience! Space Productions LA truly made the wedding a great success. They pay attention to details, read the crowd, and understand how to keep the energy high and the party going. I highly recommend and encourage everyone to make them your number one choice.
Their design for the LED board was amazing — the lighting completely transformed the space and set the perfect energy for the night.
Where we work
Same crew and gear in every one — but the venues, the labor rules and the weather change what the build actually takes. Each page is written for that city.
Tell us the room and the remote audience. We’ll build a broadcast that looks as good on the stream as it does in the seats.
