Scenic & Set Fabrication
Headers, columns, set pieces, and branded scenic — fabricated in our shop, painted or wrapped to match the design, and integrated with your LED and lighting plot.
Rated 5 Stars on Google & Yelp — 500+ Events Produced
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Free consultation, no commitment
LA-based and producing coast to coast, we’ve mastered every venue type — from outdoor festivals to high-security corporate summits.
We don’t just drop off equipment — we engineer the full experience. Our crew manages design, setup, programming, and teardown so you never lift a finger.
Our LED production has powered experiences for Netflix, Universal, Adidas, Hilton, and more. When top brands need show-stopping visuals, they call us.
No surprise fees. No fine print. Just clear quotes with flexible packages that scale to your event and budget. LED wall rentals typically start at $5,000.
A process built so nothing is left to chance between the booking and the strike.
Tell us the venue, the date, and the scope. We come back fast with a clear, itemized quote — no guesswork, no padding.
We walk the venue or the plans — power, rigging points, sightlines, load-in paths. The spec on paper matches what shows up.
Every wall and rig is tested in our shop before it leaves. We deliver, rig, and program ahead of doors — never against the clock.
A dedicated tech stays on-site for the full run of show — content, redundancy, real-time fixes. We stay through strike.
The set the camera loves and the brand signs off on.
We build the physical world of your show — scenic headers, columns, facades, and set pieces fabricated to your creative and finished to match. Designed alongside the LED and lighting so the scenic and the screens read as one build, not three vendors’ leftovers.
The build, answered
In a shop, weeks before your date — not at the venue the night before. We fabricate from your actual drawing files: custom carpentry, metalwork, and finishing under one roof, prototyped and dry-fit before anything reaches the dock, with photos to you before it ships. The finish — scenic paint, vinyl wrap, branded surfaces — is checked under stage lighting, because a set that matches the render in daylight can miss it badly under a wash.
The part most shops get wrong is the integration. Scenic that arrives separate from the LED and lighting turns load-in into a negotiation between vendors. Ours is designed around the LED and lighting plot from the first drawing — screen cut-outs, hidden cable paths, protected sightlines — so the physical and the digital land as one intentional environment, built and struck by the same crew.
Built from the same drawings as the render, dry-fit in the shop, photographed before it ships.
Paint and wrap checked under stage lighting — the brand color survives the wash.
Cut-outs, cable paths, and sightlines planned from drawing one — no vendor seams.
On the floor
SpaceProductionsdesigns,builds,andrunsScenic&SetFabricationforeventsacrossLosAngeles—deliveredbyonein-housecrewongearweownandmaintain,withoneproduceraccountablefromload-inthroughstrike.
Fabricate · Finish · Integrate
Custom headers, columns, facades, and set pieces fabricated from your drawings — carpentry, metalwork, and finishing under one roof, prototyped and dry-fit before it ever reaches your venue.
Scenic painting, vinyl wraps, and brand finishes that match the design exactly — so the set looks like the render under show lighting, not a close approximation.
Scenic designed around the LED and lighting plot — cut-outs for screens, cable paths hidden, sightlines protected — so the physical and the digital land as a single, intentional environment.
In the shop
Custom set elements built from your drawings, finished to match the render, and integrated with the LED and lighting.
Architectural headers and fascia that frame the stage and carry the logo, cut to fit your LED plot and finished to match the render under show light.
Freestanding columns and pylons that define the space and hide structure, fabricated and dry-fit in the shop before they ever reach your venue.
The centerpiece a launch is built around — a sculpted, branded form fabricated to the creative and engineered to survive load-in, the reveal, and strike.
Large-format printed and vinyl-wrapped panels with brand-accurate color, so flats, walls, and facades look painted, not papered, on camera.
Branded podiums and lecterns built to match the set, with cable management and a confidence-monitor mount built in for clean keynote moments.
Branded photo walls, portals, and step-and-repeats fabricated for press and social, finished so the brand reads sharp in every shot.
Know what you’re asking for
Scenic is the part of a show that photographs, and the vocabulary is mostly workshop language. Here’s what each term means for a Los Angeles build, so you can brief a look rather than describe it twice. Everything below is fabricated and dry-assembled in our own shop first.
A rigid faced panel — the basic wall unit a set is assembled from.
Ask for it when: Any solid-looking set wall. Flats are what make a room read as architecture rather than as drape.
Drape, backdrops, and fabric used to define space, mask, or absorb light.
Ask for it when: Masking backstage, softening a room, and covering ground quickly. Far cheaper per square foot than hard scenic.
A horizontal element spanning above the stage or an entrance, framing what sits beneath it.
Ask for it when: When a stage needs a defined top edge — it’s what stops a set looking like it just stops.
Free-standing vertical elements, often used in pairs or runs to add rhythm and depth.
Ask for it when: Entrances, sponsor moments, and adding dimension to a set that would otherwise be a flat wall.
Large-format printed vinyl or fabric applied to a built surface.
Ask for it when: Branded builds. It’s the fastest way to put artwork on scenic, and it needs print-ready files at real scale.
Machine-cut shapes and letterforms, cut from your artwork rather than approximated.
Ask for it when: Dimensional logos and cut-out patterns — anywhere a printed version would look flat.
The surface treatment and sheen — matte, satin, gloss, or textured.
Ask for it when: Always specify it. Matte kills reflections under lighting; gloss photographs beautifully and shows every fingerprint.
Documentation that materials meet the venue’s fire rating, covering fabric and treated surfaces.
Ask for it when: Every venue asks, and many won’t let a set in without it. It’s produced with the build, not chased afterwards.
Building from a reusable kit versus fabricating bespoke pieces for this show only.
Ask for it when: A budget conversation worth having early. Modular is cheaper and faster; one-off is the only way to get an exact shape.
Dry-assembling the full set in the shop before it ships, and correcting fit there.
Ask for it when: Every set of any complexity. The first assembly should never happen on your load-in clock.
A mechanism that hides something and then exposes it on cue — a kabuki drop, a tracked curtain, a lifting panel.
Ask for it when: Product launches and unveilings. It has to be designed into the set from the start, not added late.
How to spec it
Pricing, explained
Custom fabrication pricing follows the drawing. These are the five things that move it.
Material and shop hours scale with square footage — and with how many trucks it fills.
Paint, print wrap, or lit-from-within — the camera-close pieces earn the higher finish.
LED, lighting, or motion built into the piece is fabricated around the gear, not taped to it.
Pulling from rental scenic stock costs less than fabricating a piece you keep after the show.
Rush shop time is real overtime — send the render early and the number drops.
Send the design (or the idea) and the date — we’ll quote the build itemized, with the shop schedule attached.
The build question
The piece doesn’t match the render
Built from the same file, dry-fit in the shop, photos to you before it ships.
It doesn’t fit through the venue doors
Measured to the dock and drawn to break down — install is assembly, not surgery.
Scenic, LED, and lighting don’t line up
One shop builds all three to one drawing; there’s no seam for the design to fall through.
The finish reads wrong under show light
Paint and wrap are checked under stage lighting in the shop — “brand red” stays brand red when the wash hits it.
Portfolio
How we’ve helped brands and event planners put on shows that didn’t miss a cue.
Concert Production
The challenge
A nationally televised dance competition needed a massive LED stage backdrop with rapid content switching for 20+ performances across a two-day event.
The solution
Multi-panel LED configuration spanning 60 feet wide, real-time media-server management, redundant processing, and a dedicated show caller.
The result
Zero technical issues across 40+ hours of live production, featured on a broadcast seen by millions.
Corporate Keynote
The challenge
A Fortune 500 tech company needed a high-resolution LED backdrop for a hybrid live-streamed keynote in a venue with difficult ambient light and tight load-in windows.
The solution
Custom curved 40-foot LED wall at 2.6mm pixel pitch, full content management, redundant processing, and on-site technical direction for the run of show.
The result
Flawless broadcast to 10,000+ virtual attendees and zero technical issues on the floor. The client rebooked for three additional events.
Everything you need to know about putting your show in our hands. Can’t find your answer here?
Yes — we fabricate from your drawings and finish with scenic paint, vinyl wraps, or branded surfaces so it matches the render under show lighting, not just in the shop.
Verified Google reviews from the people who put their show in our hands.
Space Productions LA transformed our company conference event in San Diego. Their stage and lighting, along with stunning LED wall designs, took our event to a whole new level. From the main room to breakout rooms, they handled it all seamlessly. We won’t consider anyone else for our future events.
Space Productions LA delivered a phenomenal experience for our 4,000-person annual summit. From lighting and sound to LED video walls, they turned our vision into a stunning reality. The team’s professionalism, attention to detail, and technical expertise were exceptional — responsive, accommodating, and a pleasure to work with.
Space Productions LA was the driving force behind the success of our fundraiser event. They provided exceptional lighting and LED walls that brought our vision to life. The team’s commitment to excellence was evident throughout the entire process, and we’re eager to work with them again.
Leeor was a pleasure to work with! So professional and was able to bring my vision to life. High-quality work and the staff is meticulous! Would highly recommend Space Productions for any event — thank you for making everything about my event magical.
Space Productions LED wall took our production value to the next level — on schedule, on budget, and a pleasure to work alongside.
Had such an amazing experience with Space Productions! They do all of our family events and never fail to impress — from their experience in lighting design and sound to their high energy. Leeor and the team gave great customer service and always make sure all of our requests are met.
What a magical night and amazing experience! Space Productions LA truly made the wedding a great success. They pay attention to details, read the crowd, and understand how to keep the energy high and the party going. I highly recommend and encourage everyone to make them your number one choice.
Their design for the LED board was amazing — the lighting completely transformed the space and set the perfect energy for the night.
Send us the creative. We’ll fabricate it, finish it to match, and integrate it with your LED and lighting under one crew.
