Large & Giant LED Walls
Festival mains, arena backdrops, and spans measured in tens of feet — where the wall is the venue’s focal point and the engineering behind it is what you’re actually hiring.
Rated 5 Stars on Google & Yelp — 500+ Events Produced
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LA-based and producing coast to coast, we’ve mastered every venue type — from outdoor festivals to high-security corporate summits.
We don’t just drop off equipment — we engineer the full experience. Our crew manages design, setup, programming, and teardown so you never lift a finger.
Our LED production has powered experiences for Netflix, Universal, Adidas, Hilton, and more. When top brands need show-stopping visuals, they call us.
No surprise fees. No fine print. Just clear quotes with flexible packages that scale to your event and budget. LED wall rentals typically start at $5,000.
LED solutions
From packed arenas to intimate boardrooms, we build and operate LED displays tailored to your venue, audience, and creative vision.
A process built so nothing is left to chance between the booking and the strike.
Tell us the venue, the date, and the scope. We come back fast with a clear, itemized quote — no guesswork, no padding.
We walk the venue or the plans — power, rigging points, sightlines, load-in paths. The spec on paper matches what shows up.
Every wall and rig is tested in our shop before it leaves. We deliver, rig, and program ahead of doors — never against the clock.
A dedicated tech stays on-site for the full run of show — content, redundancy, real-time fixes. We stay through strike.
At this scale, the panels are the easy part.
A giant wall is a structure first and a screen second: tons of load on engineered support, power measured in services rather than circuits, and a picture that has to read from the barricade and the lawn at the same time. We’ve built to 60 feet wide for a nationally televised broadcast — the span, the structure, the power, and the crew all came from one shop, and that’s the only way we’ll do it.
Scale, answered
Engineering. At festival and arena size the panels are a commodity — what separates a wall that runs from a wall that makes the news is the structure holding tons of load against wind, the power plan measured in services rather than circuits, and the redundancy that keeps forty feet of picture alive with no single point of failure. That’s the actual product, and it’s why we won’t split it across vendors.
When the span, the steel, the generators, and the crew come from one shop, there’s no seam where two subcontractors’ assumptions meet — which is exactly where big builds fail. Our 60-foot Honda Stage wall ran 40+ hours of nationally televised production without a visible failure, and it was engineered, powered, and crewed end to end by the same team that quoted it.
Wind load, ballast, and rigging are engineered to your site before a panel is speced — the wall is a building first.
Generators, distribution, and headroom planned as their own discipline — never a hope that the venue keeps up.
Span, steel, power, and crew from the same team — accountability that doesn’t dissolve between vendors.
On the floor
SpaceProductionsdesigns,builds,andrunsLarge/GiantLEDWallforeventsacrossLosAngeles—deliveredbyonein-housecrewongearweownandmaintain,withoneproduceraccountablefromload-inthroughstrike.
Festivals · Arenas · Landmarks
The main wall carries the show and the wings carry the faces — sized so the back of the field follows every moment, engineered for wind because festival walls live outdoors, and built to run open-to-close across multi-day runs.
Wide-span stage walls for televised and arena productions — where the camera adds a second audience and the content switches fast across performances. Our 60-foot Honda Stage build ran 40+ hours of live production without a visible failure.
Activations where the wall is the landmark — stadium concourses, plazas, premieres. At this size the questions are structural and civic: ballast, permits, power services, and sightline geometry. We answer all four before the render gets approved.
Know what you’re asking for
At festival and arena scale the constraints stop being about the panels and start being about structure, power, and time. Here’s what a large Los Angeles build actually involves. Everything below is ours, engineered and signed off before a single cabinet goes up.
The unsupported width a structure has to carry, and the point at which extra towers become necessary.
Ask for it when: The first structural question on any wide wall. It sets the tower count, which sets the footprint and the crew.
Two towers with a header truss spanning between them, the standard way to hold a large wall outdoors.
Ask for it when: Festival mains and any large wall with nothing overhead. The footprint is significant, so it’s planned into the site early.
The weight landing on each individual anchor or tower foot, rather than the wall’s total weight.
Ask for it when: Every large build. Venues and engineers rate points individually, and this is what the sign-off is based on.
Stamped calculations for the structure, submitted to the venue or authority before build.
Ask for it when: Effectively all giant builds. It takes real time, so it belongs in the schedule rather than being chased late.
How coarse a pitch you can use given that the nearest viewer is far away.
Ask for it when: Large walls. Fine pitch at festival scale is money spent on resolution nobody is close enough to see.
The total load a large wall pulls at full brightness, which is substantially more than at average content levels.
Ask for it when: Always sized for peak, not average. Under-speced distro is the most common cause of a large wall browning out.
Multiple processors splitting a canvas too large for one, kept in sync and mirrored on backups.
Ask for it when: Any wall past a single processor’s pixel capacity. Ask how the split is handled and what happens if one path drops.
High-brightness IMAG walls flanking the stage, feeding the crowd too far back for the main screen.
Ask for it when: Deep festival fields and arenas. The main wall is a backdrop; the wings are what the back half actually watches.
Content built for extreme aspect ratios — far wider than the 16:9 most assets are made in.
Ask for it when: Early, with whoever makes your content. A 16:9 clip on a 40-foot-wide wall either pillarboxes or crops badly.
The hours a large wall genuinely takes to rig, cable, and commission, with the crew that size needs.
Ask for it when: When the load-in schedule is being written. Large walls are not fast, and compressing them is where safety gets traded away.
Agreed thresholds for reducing or lowering an outdoor wall, and a named person who calls it.
Ask for it when: Every outdoor giant build. A large wall is a large sail, and this conversation happens before doors, not during weather.
How to spec it
Pricing, explained
At festival and arena scale the panels stop being the biggest number on the quote.
Towers, goalposts, and ballast for a large span frequently cost more than the cabinets they hold up.
Stamped calculations and venue sign-off take real time. Chased late, they delay the build rather than the paperwork.
A large wall is sized for peak draw, not average. Under-speced distro is the usual cause of a big wall browning out mid-show.
Large walls take hours and hands. Compressing that schedule is where safety quietly gets traded away, so we quote it honestly.
Reaching the back of a deep field means additional walls and camera feeds — a separate system, not a bigger main screen.
Send the site plan and the audience depth. Structure, power, and crew are itemized separately from the wall itself.
The reliability question
Wind picks up mid-festival
The structure was engineered for the gust, not the average — ballast calculated to the site, with a monitoring plan agreed before doors.
A panel dies forty feet up
Redundancy is designed into the layout and the access plan — spares on-site and a path to reach them without stopping the show.
The power draw exceeds the venue
At this scale we plan power as its own system — generators and distribution with headroom, never a hope that the building keeps up.
The content reads from row one and dies at the lawn
We model the sightline geometry and advise on content scale before anything renders — the farthest viewer is the design constraint.
Portfolio
How we’ve helped brands and event planners put on shows that didn’t miss a cue.
Concert Production
The challenge
A nationally televised dance competition needed a massive LED stage backdrop with rapid content switching for 20+ performances across a two-day event.
The solution
Multi-panel LED configuration spanning 60 feet wide, real-time media-server management, redundant processing, and a dedicated show caller.
The result
Zero technical issues across 40+ hours of live production, featured on a broadcast seen by millions.
Corporate Keynote
The challenge
A Fortune 500 tech company needed a high-resolution LED backdrop for a hybrid live-streamed keynote in a venue with difficult ambient light and tight load-in windows.
The solution
Custom curved 40-foot LED wall at 2.6mm pixel pitch, full content management, redundant processing, and on-site technical direction for the run of show.
The result
Flawless broadcast to 10,000+ virtual attendees and zero technical issues on the floor. The client rebooked for three additional events.
Everything you need to know about putting your show in our hands. Can’t find your answer here?
Bigger than most venues can hold. We’ve built 60 feet wide for a nationally televised broadcast, and modular panels mean the practical ceiling is usually your site’s structure and power — both of which we engineer and supply. Tell us the ambition; we’ll tell you what it takes.
Verified Google reviews from the people who put their show in our hands.
Space Productions LA transformed our company conference event in San Diego. Their stage and lighting, along with stunning LED wall designs, took our event to a whole new level. From the main room to breakout rooms, they handled it all seamlessly. We won’t consider anyone else for our future events.
Space Productions LA delivered a phenomenal experience for our 4,000-person annual summit. From lighting and sound to LED video walls, they turned our vision into a stunning reality. The team’s professionalism, attention to detail, and technical expertise were exceptional — responsive, accommodating, and a pleasure to work with.
Space Productions LA was the driving force behind the success of our fundraiser event. They provided exceptional lighting and LED walls that brought our vision to life. The team’s commitment to excellence was evident throughout the entire process, and we’re eager to work with them again.
Leeor was a pleasure to work with! So professional and was able to bring my vision to life. High-quality work and the staff is meticulous! Would highly recommend Space Productions for any event — thank you for making everything about my event magical.
Space Productions LED wall took our production value to the next level — on schedule, on budget, and a pleasure to work alongside.
Had such an amazing experience with Space Productions! They do all of our family events and never fail to impress — from their experience in lighting design and sound to their high energy. Leeor and the team gave great customer service and always make sure all of our requests are met.
What a magical night and amazing experience! Space Productions LA truly made the wedding a great success. They pay attention to details, read the crowd, and understand how to keep the energy high and the party going. I highly recommend and encourage everyone to make them your number one choice.
Their design for the LED board was amazing — the lighting completely transformed the space and set the perfect energy for the night.
Tell us the site and the ambition. We’ll bring the engineering, the power plan, and one itemized number for all of it.
