Concerts & Tours
Concert Production in Los Angeles
Tour-grade LED, stage, and lighting built for the road — rigged by our crew and run on redundant processing that takes a beating and stays clean, show after show.
- LED, staging, lighting, and audio — one in-house crew
- One producer accountable from load-in through strike
- On-site tech at every show, start to finish
- 10+ years in LA · 500+ events delivered · licensed & insured
Rated 5 Stars on Google & Yelp — 500+ Events Produced
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Tell Us About Your Event.
Free consultation, no commitment
Why Leading Brands Choose Space Productions
10+ Years, 500+ Events
LA-based and producing coast to coast, we’ve mastered every venue type — from outdoor festivals to high-security corporate summits.
White-Glove, Start to Finish
We don’t just drop off equipment — we engineer the full experience. Our crew manages design, setup, programming, and teardown so you never lift a finger.
Trusted by Global Icons
Our LED production has powered experiences for Netflix, Universal, Adidas, Hilton, and more. When top brands need show-stopping visuals, they call us.
Transparent, Upfront Pricing
No surprise fees. No fine print. Just clear quotes with flexible packages that scale to your event and budget. LED wall rentals typically start at $5,000.
Quote. Site walk. Build. Show.
A process built so nothing is left to chance between the booking and the strike.
Quote
Tell us the venue, the date, and the scope. We come back fast with a clear, itemized quote — no guesswork, no padding.
Site Walk
We walk the venue or the plans — power, rigging points, sightlines, load-in paths. The spec on paper matches what shows up.
Build
Every wall and rig is tested in our shop before it leaves. We deliver, rig, and program ahead of doors — never against the clock.
Show
A dedicated tech stays on-site for the full run of show — content, redundancy, real-time fixes. We stay through strike.
The wall has to look as good on the last show as the first.
Concert and festival LED production in Los Angeles, built on tour-grade gear we own and maintain — so the picture stays clean through load-in after load-in. We’ve run 60-ft stage backdrops with rapid content switching across a nationally televised broadcast, on redundant processing with a show caller on the cues.
Included as standard
- A stage and rigging plan drawn to the show
- Tour-grade LED rigged and run on redundant processing
- Camera-safe refresh and shutter-friendly walls for broadcast
- Content load, a real rehearsal, and a show caller on cues
- An on-site crew from load-in through strike
When the lights drop
The wall has to look as good on night ten as night one.
Touring is where cheap walls fall apart — show after show, load-in after load-in, under the cameras. Ours is tour-grade gear we own and maintain, run on redundant processing with a show caller on the cues, so the picture stays clean for the whole run.
On the floor
Concerts We’ve Built Across LA.
Concertsin Los Angeles
SpaceProductionsdesigns,builds,andrunsConcertsforeventsacrossLosAngeles—deliveredbyonein-housecrewongearweownandmaintain,withoneproduceraccountablefromload-inthroughstrike.
Our Clients
Stage · Broadcast · Run
What does a touring rig have to survive?
A backdrop sized to the room
Big LED backdrops and side wings speced to the stage and the sightlines — flown or ground-supported, rigged by a crew that does this every week, and engineered to hold up through a full run of shows.
- Backdrop + IMAG wings
- Flown or ground-supported
- Built for the sightlines
Clean on every camera
High-refresh walls that don’t scan or strobe on camera, even with fast content and tight cuts — so a televised set or a multi-cam capture reads as clean on the broadcast as it does from the floor.
- 3,840Hz+ refresh
- No scan lines on camera
- Built for live broadcast
Rapid content, on the beat
Media-server playback with backup, rapid switching across a fast set list, and a show caller running cue-to-cue — so 20+ performances change looks instantly without a flash, a resync, or a dropout.
- Media server + backup
- Rapid look changes
- Show caller on the set list
From plot to strike
How the show gets on the road.
Drawn to the stage, tested in the shop, and run by a crew that travels with the rig.
Stage & rigging plan
We draw the wall, wings, and rigging to the stage and the sightlines — flown or ground-supported, engineered to the load.
Shop-tested gear
Tour-grade LED is powered up and burned in on our floor before it ever ships to the venue.
Content load & rehearsal
Media-server playback with backup, a real rehearsal against the set list, and looks dialed cue-to-cue.
Show called live
A show caller runs rapid content changes on the beat while a tech holds the picture on redundant processing.
Strike & travel
The same crew strikes, loads, and travels with the rig — logistics built into the quote up front.
Who this is for
What a show can’t afford
On stage, every failure happens in front of everyone — and the cameras.
The road is unforgiving. Here’s what we refuse to leave to chance.
A bargain wall scans, strobes, or moirés the second a broadcast camera points at it.
High-refresh 3,840Hz+ walls that stay clean on camera through fast content and tight cuts.
Content stutters or a screen dies mid-set with the whole crowd watching.
Media-server playback with instant-failover backup and redundant processing on every wall.
A wall that looked great on day one degrades by the end of the run.
Tour-grade gear we own and maintain, burned in before it ships and run by a tech through strike.
The rig shows up under-spec for the stage or the wind load outdoors.
Rigging engineered to the stage and the conditions — what we draw is what flies.
Questions producers ask.
Everything you need to know about putting your show in our hands. Can’t find your answer here?
Yes — our stage walls run 3,840Hz+ refresh so they don’t scan, strobe, or moiré on camera, even with fast content and tight cuts. We’ve run 60-ft backdrops across a nationally televised broadcast.
Blog
Putting a show on the road?
Tell us the stage, the dates, and whether it’s on camera. We’ll spec the wall, rig it, and put a crew on it that travels with the rig.