Space Productions LA

Event Sound Systems · Dallas

Event Sound Systems in Dallas

Systems measured in the room and mixed by an engineer — designed for wide, shallow corporate ballrooms where the back corners are the hard part.

  • LED, staging, lighting, and audio — one in-house crew
  • One producer accountable from load-in through strike
  • On-site tech at every show, start to finish
  • 10+ years in DFW · 500+ events delivered · licensed & insured
Yelp

Rated 5 Stars on Google & Yelp — 500+ Events Produced

Start Here

Tell Us About Your Event.

Corporate conference or keynoteGala, awards, or brand eventProduct launch or activationConcert, tour, or festivalSomething else

Free consultation, no commitment

Hilton
Netflix
Paramount
Universal
Walt Disney
Herbalife
Adidas
Viacom
TAO
SBE
RedBird
IDL

Rooms we build this in — Dallas, TX

  • Hilton Anatole & Omni ballrooms
  • Kay Bailey Hutchison Convention Center
  • American Airlines Center
  • Frisco & Plano corporate campuses
  • Fair Park venues

Not on the list? We load into rooms across the metro every week — see everything we cover in Dallas.

Why Us

Why Dallas producers choose Space Productions

01

10+ Years, 500+ Events

Texas rooms run big — stadium bowls, convention halls, corporate campuses that really are campuses. We spec LED for the long sightline and schedule crews for metroplex distances, so scale never becomes the excuse.

02

White-Glove, Start to Finish

We don’t just drop off equipment — we engineer the full experience. Our crew manages design, setup, programming, and teardown so you never lift a finger.

03

Trusted by Global Icons

Our LED production has powered experiences for Netflix, Universal, Adidas, Hilton, and more. When top brands need show-stopping visuals, they call us.

04

Transparent, Upfront Pricing

No surprise fees. No fine print. Just clear quotes with flexible packages that scale to your event and budget. LED wall rentals typically start at $5,000.

How we work

Quote. Site walk. Build. Show.

A process built so nothing is left to chance between the booking and the strike.

Quote

Tell us the venue, the date, and the scope. We come back fast with a clear, itemized quote — no guesswork, no padding.

Site Walk

We walk the venue or the plans — power, rigging points, sightlines, load-in paths. The spec on paper matches what shows up.

Build

Every wall and rig is tested in our shop before it leaves. We deliver, rig, and program ahead of doors — never against the clock.

Show

A dedicated tech stays on-site for the full run of show — content, redundancy, real-time fixes. We stay through strike.

See the full process

A wide, low ballroom is an audio problem before it is a lighting problem. The corners are where speech goes to die.

DFW’s corporate rooms are typically much wider than they are deep, with hard surfaces and low ceilings. A centre-hung or single-point system leaves the outer sections thin and late, which is exactly where the executives who care about the audio tend to be sitting.

Included as standard

  • Delivery, rigging, and clean cable management
  • Redundant processing and power on critical systems
  • An on-site tech for the full run of show
  • A real rehearsal before doors — never against the clock
  • Strike and load-out by the same crew

Dallas, TX

What changes about event audio in Dallas.

Wide, shallow geometry needs wide coverage, not more level. A pair of mains aimed down the centre will leave the outer thirds of a DFW ballroom under-covered and time-smeared, so we use additional positions across the width and time-align them properly. It is the single most common fix on a Dallas corporate show.

Air walls and subdivided rooms are everywhere here. Large hotel ballrooms split into concurrent sessions with acoustically thin partitions, so directional coverage that keeps energy off the wall matters as much as reaching your own back row — bleed complaints are common and entirely avoidable with the right design.

And multi-room programmes are the norm rather than the exception. Corporate events across the metroplex often run a general session plus several breakouts simultaneously, which means RF coordinated across all of them as one plan rather than room by room, and enough engineers that no room is left unattended during its most important twenty minutes.

Coverage across the width

Extra positions and proper time alignment, because the outer thirds of a wide ballroom are the weak point.

Directional design against air walls

Energy kept off thin partitions so concurrent sessions do not bleed into each other.

RF coordinated across all rooms

One frequency plan for the whole programme, with enough engineers that no breakout runs unattended.

On the floor

Event Sound Systems We’ve Built Across DFW.

Live event production by Space Productions LA
Live event production by Space Productions LA
Live event production by Space Productions LA
Live event production by Space Productions LA
Outdoor evening private event on a lawn — a custom monogram on the LED wall, a floral arch hung with lanterns, beam lighting through haze and set dinner tables.
Live event production by Space Productions LA
Live event production by Space Productions LA
International Dance League on the Honda Stage — a checkered yellow-and-black LED wall and header truss in a historic auditorium, seen from the front-of-house console position during rehearsal.
Live event production by Space Productions LA
Live event production by Space Productions LA
Live event production by Space Productions LA
Live event production by Space Productions LA
Live event production by Space Productions LA
Live event production by Space Productions LA
Live event production by Space Productions LA
Live event production by Space Productions LA
Live event production by Space Productions LA
Live event production by Space Productions LA
Concert in an ornate historic theatre — a band on stage against a blue LED wall carrying an IMAG close-up of the singer, warm overhead lighting bars and a packed floor.
Live event production by Space Productions LA
Concert stage backed by a wall of vertical LED battens in blue, with a full band including saxophone and guitars, coloured beams over the crowd.
Live event production by Space Productions LA
Live event production by Space Productions LA
Gala entertainment set — a live band and vocalists in formalwear on stage, an arched LED backdrop with a palm-frond graphic and red LED battens, magenta beams overhead.
Live event production by Space Productions LA
Live event production by Space Productions LA
International Dance League main stage — a dance crew performing between two IMAG side screens, the main LED wall carrying the performing team’s name, with a full house and front-of-house consoles in the foreground.
Live event production by Space Productions LA
Indoor reception beneath a dense floral and greenery ceiling hung with mirror balls — a DJ booth in front of a multi-panel LED wall running abstract colour content.
Live event production by Space Productions LA
Corporate general session in a ballroom before doors — a wide LED wall carrying a themed partner graphic, a blue beam rig overhead and banquet seating set.
Live event production by Space Productions LA
Concert in an ornate theatre under red wash — a band on stage against a large LED wall running graphic content, line array flown stage left, crowd filling the floor.
Live event production by Space Productions LA
Live event production by Space Productions LA

Event Sound Systemsin Dallas

SpaceProductionsdesigns,builds,andrunsEventSoundSystemsforeventsacrossDallas—deliveredbyonein-housecrewongearweownandmaintain,withoneproduceraccountablefromload-inthroughstrike.

Our Clients

Hilton
Paramount
Walt Disney
Adidas
TAO
RedBird
Hilton
Paramount
Walt Disney
Adidas
TAO
RedBird
Netflix
Universal
Herbalife
Viacom
SBE
IDL
Netflix
Universal
Herbalife
Viacom
SBE
IDL

Types of event audio

What is the system actually for?

Event Sound Systems in Dallas — Concert sound & live music
Concert

Concert sound & live music

Full-range line arrays, cardioid subs, monitor world, and a front-of-house engineer who mixes bands every week. The system that makes a performance hit — sized to the room, tuned to the stage, and mixed live from soundcheck through the encore.

  • Full-range PA & subs
  • Monitor mixes for performers
  • FOH engineer on the show
Event Sound Systems in Dallas — Conference & corporate audio
Conference

Conference & corporate audio

Speech is a different discipline: every word intelligible to the last row, wireless mics that never drop, and a hot spare live on the podium. Keynotes, panels, town halls, and multi-room programs — with clean feeds to the stream and the recording.

  • Speech-first system design
  • Coordinated wireless + hot spare
  • Feeds for stream & record
Event Sound Systems in Dallas — Galas, weddings & social events
Social

Galas, weddings & social events

Toasts that every table hears, dinner music that doesn’t fight conversation, and a dance floor with real weight after the program ends — one system, tuned per moment, run by an engineer who rides the room all night.

  • Speeches clear at every table
  • Dinner-to-dancefloor transitions
  • Levels ridden all night

The gear on the truck

What the room hears.

A line-array PA sized and tuned to the space, mixed live by an on-site engineer from soundcheck through strike.

Line-array speaker
Main PA

Line-array speaker

Modular line-array hangs sized and aimed to the room for even coverage front to back, then measured and tuned on-site so there’s no hotspot at the desk.

Subwoofer array
Low end

Subwoofer array

Cardioid sub arrays that put weight under music without muddying speech, arrayed to keep the low end tight on stage and even across the floor.

Digital mixing console
Live mix

Digital mixing console

A pro digital desk with scene recall and full processing, so the engineer’s soundcheck mix holds from the first word to the last cue.

Stage monitor
Foldback

Stage monitor

Wedges and in-ear support that give presenters and performers a clean mix of themselves, so what happens on stage stays confident and on time.

Wireless microphone system
RF-managed

Wireless microphone system

Coordinated handheld, lav, and headset mics with active RF management that keeps every channel clean, even in crowded downtown spectrum.

Amplifier & DSP rack
Processing

Amplifier & DSP rack

Tuned amplification and system DSP that drive the PA at its best and protect it, with the room’s correction loaded and locked before doors.

Know what you’re asking for

The kit, and what each piece is actually for.

Audio quotes are hard to compare because the vocabulary is unfamiliar and the differences are invisible on paper. Here’s the language, so you can tell what a Dallas bid actually includes. Everything below is gear we own, tune, and mix ourselves — with an engineer on the desk, not a system left running unattended.

Main system

Line array

Vertically stacked speaker elements that behave as one tall source, throwing evenly from front to back.

Ask for it when: Long or large rooms, and anywhere the back row matters as much as the front. Overkill in a small ballroom.

Main system

Point-source speaker

A single conventional cabinet covering a defined area.

Ask for it when: Most corporate rooms. Cheaper, quicker to deploy, and genuinely the right answer more often than vendors admit.

Low end

Subwoofer

A cabinet handling the low frequencies the main speakers can’t reproduce.

Ask for it when: Music of any kind. Rarely needed for speech-only, and it’s the first thing to cut when there’s a noise limit.

Coverage

Delay position

Additional speakers further back, time-aligned so their sound arrives with the main system rather than as an echo.

Ask for it when: Deep rooms and outdoor sites. This — not more volume — is how the back of a room gets intelligible speech.

Coverage

Front fill

Small speakers along the stage edge covering the first few rows, which the mains fire over.

Ask for it when: Any raised system. Without it your VIP front tables are the worst seats in the room.

Performer

Stage monitor (wedge)

A speaker on the deck angled back so performers hear themselves.

Ask for it when: Live music and any presenter working with a band. Separate from what the audience hears.

Performer

In-ear monitor (IEM)

A wireless earpiece feed replacing floor wedges.

Ask for it when: When the stage needs to stay quiet — broadcast, tight rooms, or noise-limited sites. Also cleaner for the audience mix.

Control

FOH console

The front-of-house desk where the audience mix is made, out in the room rather than backstage.

Ask for it when: Every show. If the mix position isn’t in the room, nobody is hearing what your guests hear.

Microphone

Handheld wireless

A wireless mic held or on a stand.

Ask for it when: Q&A, panels, and anyone who won’t wear a pack. The most forgiving mic for an inexperienced speaker.

Microphone

Lavalier (lav)

A small clip-on mic with a bodypack transmitter.

Ask for it when: Presenters who need their hands free and want the mic largely invisible on camera.

Microphone

Headset mic

A thin over-ear mic sitting at a fixed distance from the mouth.

Ask for it when: Presenters who move a lot, and any room where a lav would be too quiet. More consistent than a lav, more visible.

Microphone

Gooseneck / podium mic

A fixed mic mounted on the lectern.

Ask for it when: Formal programmes and anyone reading from the podium. Wired, so it can’t drop mid-sentence.

Connection

DI box

A small box converting a laptop, instrument, or playback source into a clean, hum-free feed.

Ask for it when: Any time video playback or a laptop is going through the system. It’s the fix for buzz nobody can locate.

Wireless

RF coordination

Scanning the venue’s radio spectrum on the day and assigning every wireless channel a clear frequency.

Ask for it when: Any show with more than a couple of wireless channels. It’s why mics drop, and it’s entirely preventable.

Access

Assistive listening

A separate feed to receivers for guests who are hard of hearing.

Ask for it when: Public-facing and many corporate events — often an accessibility requirement rather than an option.

How to spec it

How we size a PA — and how to sanity-check any audio quote.

A line array isn’t automatically better; it’s better for rooms that need it. Here’s the logic we use, so you can check anyone’s quote against your actual room.

Boardroom / up to ~150, speech-first
What it usually needsPoint-source on stands + wireless mics
WhyA line array here is paying for boxes the room can’t use
Ballroom keynote / 150–600
What it usually needsCompact line array + front fills
WhyArrays throw evenly to the back; fills keep row one comfortable
Concert or performance / 600+
What it usually needsFull line array + cardioid subs + monitors
WhyEven low end off the stage; performers hear their own mix

Pricing, explained

What moves the price.

Audio quotes are hard to compare because the line items hide the logic. Here’s the logic.

System class

Point-source vs. line array — the room and headcount decide, not the brochure.

Wireless channels

Every mic needs coordinated RF. DFW’s spectrum is crowded; uncoordinated mics are the ones that drop mid-sentence.

Monitor world

Performers need their own mixes — wedges or in-ears, a real line item on music shows.

Engineer time

A perfectly tuned system still needs someone riding the mix when the CEO leans away from the mic. Ours stays through strike.

Redundancy

A hot spare on the podium, saved console scenes, amp headroom — the items you only miss when they’re gone.

Tell us the room and the program — we’ll spec it both ways where it’s close, with the trade-offs priced and itemized.

Who this is for

Conferences & keynotes
Concerts & performance
Galas & weddings
Panels & town halls
Festivals

What goes wrong (and how we prevent it)

Sound is the first thing a room notices when it’s wrong.

The keynote is muddy past row 20

We measure and tune the system to the room on-site — not by eye, not by memory.

A mic drops during the CEO’s Q&A

Coordinated RF plus a hot spare live on the podium.

The front row gets hammered so the back can hear

Front fills and delays put sound where it’s missing — instead of just turning it up.

Lock in your date

Portfolio

Real events. Real results.

How we’ve helped brands and event planners put on shows that didn’t miss a cue.

Global Tech Summit — Hybrid Broadcast

Corporate Keynote

Global Tech Summit — Hybrid Broadcast

The challenge

A Fortune 500 tech company needed a high-resolution LED backdrop for a hybrid live-streamed keynote in a venue with difficult ambient light and tight load-in windows.

The solution

Custom curved 40-foot LED wall at 2.6mm pixel pitch, full content management, redundant processing, and on-site technical direction for the run of show.

The result

Flawless broadcast to 10,000+ virtual attendees and zero technical issues on the floor. The client rebooked for three additional events.

Plan a Similar Event
International Dance League Finals — Honda Stage

Concert Production

International Dance League Finals — Honda Stage

The challenge

A nationally televised dance competition needed a massive LED stage backdrop with rapid content switching for 20+ performances across a two-day event.

The solution

Multi-panel LED configuration spanning 60 feet wide, real-time media-server management, redundant processing, and a dedicated show caller.

The result

Zero technical issues across 40+ hours of live production, featured on a broadcast seen by millions.

Plan a Similar Event
FAQ

Questions producers ask.

Everything you need to know about putting your show in our hands. Can’t find your answer here?

A speech package for a mid-size ballroom typically runs a few thousand dollars. Multi-room corporate programmes with a general session and several breakouts run well beyond, since each room needs coverage, wireless, and an engineer. Everything is itemized by room.

From the blog

Blog

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How to spec the right pixel pitch for your venue
Production Guide

How to spec the right pixel pitch for your venue

Space Productions · Jun 2026 · 5 min read
Indoor vs. outdoor LED: what actually changes
Production Guide

Indoor vs. outdoor LED: what actually changes

Space Productions · May 2026 · 6 min read
Why every show should run on redundant processing
Field Notes

Why every show should run on redundant processing

Space Productions · Apr 2026 · 4 min read
Behind the build: a curved 40-foot LED wall
Behind the Build

Behind the build: a curved 40-foot LED wall

Space Productions · Mar 2026 · 7 min read
Reviews

Why producers call us back.

Verified Google reviews from the people who put their show in our hands.

Space Productions LA transformed our company conference event in San Diego. Their stage and lighting, along with stunning LED wall designs, took our event to a whole new level. From the main room to breakout rooms, they handled it all seamlessly. We won’t consider anyone else for our future events.

Michael H.
Verified review

Space Productions LA delivered a phenomenal experience for our 4,000-person annual summit. From lighting and sound to LED video walls, they turned our vision into a stunning reality. The team’s professionalism, attention to detail, and technical expertise were exceptional — responsive, accommodating, and a pleasure to work with.

Jason P.
Verified review

Space Productions LA was the driving force behind the success of our fundraiser event. They provided exceptional lighting and LED walls that brought our vision to life. The team’s commitment to excellence was evident throughout the entire process, and we’re eager to work with them again.

Phillip T.
Verified review

Leeor was a pleasure to work with! So professional and was able to bring my vision to life. High-quality work and the staff is meticulous! Would highly recommend Space Productions for any event — thank you for making everything about my event magical.

Adi C.
Verified review

Space Productions LED wall took our production value to the next level — on schedule, on budget, and a pleasure to work alongside.

Michael Brosnan
Verified review

Had such an amazing experience with Space Productions! They do all of our family events and never fail to impress — from their experience in lighting design and sound to their high energy. Leeor and the team gave great customer service and always make sure all of our requests are met.

Michelle L.
Verified review

What a magical night and amazing experience! Space Productions LA truly made the wedding a great success. They pay attention to details, read the crowd, and understand how to keep the energy high and the party going. I highly recommend and encourage everyone to make them your number one choice.

Nicole A.
Verified review

Their design for the LED board was amazing — the lighting completely transformed the space and set the perfect energy for the night.

Marc Mandell
Marc Mandell
Verified review

Where we work

Event Sound Systems in the markets we load into.

Same crew and gear in every one — but the venues, the labor rules and the weather change what the build actually takes. Each page is written for that city.

Need the room to sound right?

Tell us the venue and the program. We’ll spec a PA, tune it to the space, and put an engineer on the mix.

New client offer

Get 15% off your first Audio Package rental

Let’s dial in your sound — book today and enjoy an exclusive 15% discount for first-time clients.
Book Free Consultation(323) 974-5473